Tribe Series: Yakan

The Yakan: Geometry in Thread, Roots in Basilan

The Yakan are an Indigenous ethnolinguistic group of the southern Philippines, living primarily on Basilan Island and nearby islands off the Zamboanga Peninsula, with smaller communities elsewhere in Mindanao and in Sabah.

On Basilan, the Yakan formed a life shaped by inland farming and island crossings—close enough to the sea to feel the trade winds, but grounded in fields, forest edges, and community ties. 

Often described as upland farmers, many Yakan communities are rooted in the mountainous interior of Basilan, growing staples like rice and cassava—life organized around seasons, soil, and shared labor more than coastline spectacle.

What they’re most widely known for is weaving that reads like a language: tight symmetry, bold color, and patterns passed hand-to-hand. The seputangan stands out—an intensely detailed square cloth worn at the waist or as a head covering, and used in ceremonies like weddings. It’s also described as symbolically connected to rice and planting rituals, linking design to livelihood. 


In the 1970s, violence and insecurity pushed many Yakan families to resettle in Zamboanga City. The move changed the setting, but not the craft: weaving traveled with them and became both economic survival and cultural continuity—proof that a people can be displaced without being erased. 

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Tribe Series: Tausug

The Tausug: People of the Current and the Crown of Sulu


Across the islands of the Sulu Archipelago—especially around Jolo—the Tausug have long lived with movement: boats, trade routes, tides, and the push-pull of the Sulu Sea. Even their name is often explained as “people of the current,” linking identity to flow rather than fixed ground. 


That maritime world built more than livelihood—it built power. Through the Sultanate of Sulu, the region became known for sea-based strength: diplomacy and commerce, but also warfare that moved by water and struck fast across island corridors. 

And then there’s the cloth—bright, precise, unmistakable. The pis syabit is a multicolored woven square traditionally worn by Tausug men as a headcloth or accessory, its geometry carrying both craft mastery and social meaning. 

Today, many Tausug communities live not only in Sulu but also in parts of mainland Mindanao and across borders in places like Sabah—migration shaped by opportunity, disruption, and history. Yet the through-line remains: identity carried forward in navigation, kinship, faith, and the patterned language of what the hands still know how to make. 

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